She moved to a chair beside the desk, and, opening her bag, took out a writing-block. “Beg pardon, nurse,” he said, “but we’ve sent for a stretcher, as the police don’t seem in any hurry. Would you like us to take him. Or would it upset him, do you think, if he knew?”!

“I’m so afraid,” she answered gravely. “That I shall come to love you too much: the home, the children and you. I shall have none left over.” “Oh, she’s going to break it off unless we all assure her that we find him brainy,” Madge explained with a laugh. “It seems her father wasn’t brainy and her mother was. Or else it was the other way about: I’m not quite sure. But whichever it was, it led to ructions. Myself, if he’s at all possible and seems to care for her, I intend to find him brilliant.”

“It’s you women that make war,” he continued. “Oh, I don’t mean that you do it on purpose, but it’s in your blood. It comes from the days when to live it was needful to kill. When a man who was swift and strong to kill was the only thing that could save a woman and her brood. Every other man that crept towards them through the grass was an enemy, and her only hope was that her man might kill him, while she watched and waited. And later came the tribe; and instead of the one man creeping through the grass, the everlasting warfare was against all other tribes. So you loved only the men ever ready and willing to fight, lest you and your children should be carried into slavery: then it was the only way. You brought up your boys to be fighters. You told them stories of their gallant sires. You sang to them the songs of battle: the glory of killing and of conquering. You have never unlearnt the lesson. Man has learnt comradeship—would have travelled further but for you. But woman is still primitive. She would still have her man the hater and the killer. To the woman the world has never changed.” “Unless it all comes right in the end,” she added musingly; “and the poor old soul pegs out. I wouldn’t give much for her liver.” And then the pew-opener had stolen up unobserved, and had taken it so for granted that she would like to be shown round, and had seemed so pleased and eager, that she had not the heart to repel her. A curious little old party with a smooth, peach-like complexion and white soft hair that the fading twilight, stealing through the yellow glass, turned to gold. So that at first sight Joan took her for a child. The voice, too, was so absurdly childish—appealing, and yet confident. Not until they were crossing the aisle, where the clearer light streamed in through the open doors, did Joan see that she was very old and feeble, with about her figure that curious patient droop that comes to the work-worn. She proved to be most interesting and full of helpful information. Mary Stopperton was her name. She had lived in the neighbourhood all her life; had as a girl worked for the Leigh Hunts and had “assisted” Mrs. Carlyle. She had been very frightened of the great man himself, and had always hidden herself behind doors or squeezed herself into corners and stopped breathing whenever there had been any fear of meeting him upon the stairs. Until one day having darted into a cupboard to escape from him and drawn the door to after her, it turned out to be the cupboard in which Carlyle was used to keep his boots. So that there was quite a struggle between them; she holding grimly on to the door inside and Carlyle equally determined to open it and get his boots. It had ended in her exposure, with trembling knees and scarlet face, and Carlyle had addressed her as “woman,” and had insisted on knowing what she was doing there. And after that she had lost all terror of him. And he had even allowed her with a grim smile to enter occasionally the sacred study with her broom and pan. It had evidently made a lasting impression upon her, that privilege.